A quick round-up of the last two-and-a-bit weeks of Mammoth Media Madness, where on more than one occasion I found myself thinking ‘What would Peeta Mellark do…?’
It all started with Woolly Mammoth: the Autopsy…
(NB. in the UK, you can watch this on 4oD here)
Which led to an early morning trip to Media City in Salford, to talk mammoth blood on the BBC Breakfast sofa (and they squeezed a cheeky Radio 5 Live segment in on the way up the stairs too!). There was a whole plate of pastries for breakfast but neither I, nor the teachers who were divided about the controversial issue of whether kids should give their teachers christmas presents, wanted to eat them.
This was followed by an invite to go on BBC Radio 4’s Saturday Live. I said ‘Yes, please!’ [listen here]
Then Russell Howard’s Good News got in touch. I was terrified, but thought what the heck. They uncovered my #RealorAuel secret, and it all got a bit cheeky, but it was great fun. Russell Howard is a very generous comedian, who let me take the mickey out of him as much as the other way round. [available here in the UK until 01:30, Thurs 11th Dec. Rest of the world, this link should work for you]
Plus they give you flowers!
And then I got flown to New York for an interview on CBS This Morning to promote the Smithsonian Channel version of #mammothautopsy How to Clone a Woolly Mammoth.
I got picked up in a limousine…
And the CBS This Morning green room had a pretty fancy breakfast spread… But what is it with breakfast TV and pastries? Who on earth wants to go live on national TV with pastry crumbs down their front or stuck to their lipgloss?
American production values made me look very [lip]glossy. I’m glad I wore my fave cider-making cardy again to make sure a bit of the real me made it on-air. Plus, breakfast is a cosy cardigan kind of time.
You can watch the CBS This Morning interview here: http://www.cbsnews.com/common/video/cbsnews_video.swf
I also got to meet up with my Team TrowelBlazers buddy Suzie Birch in NYC after the interview, so that was a bonus!
And the icing on the ridiculous cake? I made it into Grazia’s Chart of Lust. One below Morrissey. Oh Yes.
It’s been a ridiculous whirlwind of a time. Exhausting and hilarious. Hopefully informative on the science front to all who paid attention, and didn’t get totally sick of me.
Postscript: one of the things that freaked me out about all this TV was having no idea about the practicalities of what’s involved in different settings: the studio set-up, what to wear, what to bring with me etc. For example, I don’t normally wear make up except for special occasions, but I’m vain/self-conscious enough to not want to look crap on the telly, so should I arrive with my make up done? Or bring it with me?
Here’s some knowledge I’ve gleaned that may be useful to others in the same situation:
1. I had to sort myself out hair/make-up/clothes-wise on #mammothautopsy. This meant I got stuck wearing the same boiling hot outfit for a week (for continuity) as we launched into the autopsy and filming earlier than I expected. I had my hair up, fortunately, so that wasn’t flopping around everywhere. But I don’t recommend a hand wash-only cardigan as suitable mammoth autopsy attire… Or necklaces.
2. If you go to a TV studio, they will do your make up and hair for you so you really don’t have to worry. This is very important for morning tv when you don’t really want to be arsed getting up even earlier than you have to and then have an eyeliner crisis or whatever. How much make up they put on you varies, though, so I imagine having some idea of what you want to look like might help. If I’d been braver, I might have asked for a leetle less of the slap on Russell Howard. Though as it just brought me in line with Russell — yes blokes, you’ll be getting the treatment too, as Steve says below — I suppose it was beauty-base zero, as they say in the Capitol. The CBS ladies were the best, as they sized me up and realised I wasn’t a make-up person, so kept it minimal. BBC Breakfast kept it minimal too, but I think that was mostly because we had literally 30 secs to get ready and the make-up artist was also busy eating a pastry with one hand. Still, at least someone’s eating those pastries 😉
3. Food. They will promise to feed you, but for breakfast TV & radio it will be pastries. And there won’t be any plates (I sound like my mum!). Fine for radio, but these have to be the worst food EVAH for a pre-broadcast snack as they’re so messy. I’d make sure you have breakfast first, if you aren’t too nervous.
4. Clothes. Apparently blue and green are frowned upon by RHGN (and any green-screen setting too), which was a disaster for me as that is basically my entire wardrobe (apart from Scandinavian knits..). Also crazy patterns, stripes and checks cause strobing issues. I had to dash out at lunch and buy a not-very-expensive red top from Zara. I recommend Icelandic cardigans wherever possible, except at mammoth autopsies.
5. It helps, I’ve found (also when doing live events), to wear something with a waistband that they can attach the mic battery pack easily. So skirt/trousers/dress with a belt. Otherwise you might find yourself fiddling with the waistband of your tights in fairly public settings…
I should also add that all of the producers I dealt with were super-nice, and super-kind. Thanks especially to Trudy Scanlon at BBC Breakfast and Ben Michaels at Russell Howard’s Good News for dealing patiently with all of my questions and being all-round good eggs. I even forgive you for the Mammoth Hunters excerpts, Ben — reading the books to find the juicy bits is punishment enough!